We are a classical music recording outfit, and we’re gifted with the ability to make valuable discoveries; that’s exactly what “serendipitous” means. Whether the discoveries are ours – because we are always on the lookout for the best equipment and the best conditions –, or yours – because we offer you the circumstances in which you can surpass yourselves – is not so important. Crucial is that we support you in making the best possible recording.
We have worked with symphony orchestras, but also with period ensembles. We’ve recorded for maestros such as Edo de Waart, Michel Tabachnik, and Hervé Niquet, and we’ve captured recitals and records for soloists such as Jan de Winne, Lawrence Zazzo, and Lorenzo Ghielmi. Future clients include cello virtuoso Pieter Wispelwey and baritone Dietrich Henschel.
But we’ve also recorded film scores, such as Ludovic Bource’s music for the much-acclaimed and -awarded motion picture The Artist (music performed by the Brussels Philharmonic). Among others, the movie won a Oscar for "best score".
You cannot record ambiance, but you don’t wish to make your record in an abattoir either. If you’d rather record in historical ballrooms, dilapidated churches, secluded chapels, or grand chateaux – we’ve been there and we’ve done that – you may want to engage our flight-cased recording setup, which can be configured with all the equipment you need from our extensive range of high-end gear.
The MM1 mobile is equipped to do high end sound productions of events – such as opera or period location recordings – which are artistically and technically demanding, and which have to be recorded in situ because they cannot move elsewhere. Our mobile has 64 input channels feeding a 64 track Pro Tools HD system, which runs simultaneously with a Nuendo backup system.
This is where we mix and master our acclaimed recordings. The S5 studio is a 45m² control room which is equipped to handle high end stereo and 5.1 surround sound projects up to 192 KHz.
The Hall is the veritable hub of our recording outfit. This is a fully-equipped unit consisting of a 150 m² studio with high ceilings (7 meters) and lots of natural light, a large control room, and two separate booths. The hall can handle any cast from soloist up to (small) chamber orchestra. A grand piano, a Hammond organ, and a number of vintage keyboard instruments are at your disposal.
In addition to our technical competence and experience, we have considerable period charm on offer. Our studio is situated in an 18th century longhouse whose historical fabric has been preserved as much as possible. The attic floor – which houses the studio kitchen and some living quarters – has its antique roof beams on magnificent display. Artists keen on privacy can reside in our (adjacent) 18th century cottage plenty of period charm but tailored to the latest standards of comfort.
Anima Eterna Brugge
Benjamin-Joseph Steens
Bo Holten
Boenox
Brussels Philharmonic
Champ d'Action
Charlemagne Orchestra For Europe
Collegium Vocale Gent
Currende
Daniël Blumenthal
Dick van der Harst
Dirk Brossé
De Munt – La Monnaie
Edo De Waart
Eliane Rodriguez
Ensor Ensemble
Evgeni Mogilevsky
Goeyvaerts Consort
Guy Penson
Hervé Niquet
I Cherubini
Il Gardellino
Jaap van Zweden
Jan De Winne
Jan Pas
Johan Hoogewijs
Jozef De Beenhouwer
Jozef Sluys
José van Dam
Junge Philharmonie Thüringen
Junioren Orkest Antwerpen
L'Ensemble Moderne
La Capilla Hispano Flamenca
Lawrence Zazzo
Luc Ponet
Marc Matthys
Michel Tabachnik
Martyn Brabbins
Musica Nova
Nationaal Orkest Van België
NHK symphonic orchestra
Octocelli
Paul Klinck
Prima La Musica
Prix de Rome
Quadrant
Quatuor Danel
Réne Jacobs
Retrovert
Royal Flemish Philharmonic
Scala Youth Choir
The Retro Jazz Orchestra
Tricycle
Vlaam Radio Koor
Vlaamse Opera
Vladimir Askenazy
Walter Boeykens
Warschau Philharmonic Orchestra
Wiener Philharmoniker
Yannis Markopoulos
Zefiro Torna
The first order of business with a recording is to find the right location and a recording style that suits a particular music genre.
Like a violinist who spends ages looking for the perfect bow, we go out of our way to find the ideal microphone, that elusive cable or the ultimate recording equipment. Without exaggerating in the use of high technology, we aspire to the highest quality norms every single day.
While the difference between left and right is a key aspect, it is the depth that makes the real difference in a recording. In our experience, the choice of microphone and its placement within the recording space are the deciding factors. High sample frequencies and top-of-the-line remote preamplifiers do the rest.
As far as microphones goes the Neumann M 150 is definitely our first choice (the best mic ever in our opinion). Why? A Neumann M 150 consists of a round bullet of 40mm with a titanium diaphragm. This bullet is much larger than with other microphones and this results in a very smooth and gradual directivity with rising frequencies.
In the lower frequency range, the Neumann M 150 is the perfect omnidirectional microphone, resulting in unique reproduction of the lowest frequencies. The capsule in other microphones has a different shape and as a result the directivity in these mics is not only far less gradual but it is also less pronounced, which leads to unstable reproduction in the highest frequencies.
In addition, we also try to position the microphone preamplifier on the stage proper. Placing the preamp closer to the microphone reduces mode noise because gain does not have to be taken at the end of the run. Frequency response effects of capacitance in long mic lines are reduced. Also, loading a mic into a single preamp allows higher quality than loading that mic into several preamps through a splitter.
Today, MP3, YouTube, HDTV and Blue-Ray exist side by side. The technical possibilities were never greater, but the differences were never more extreme either. Nevertheless, we also attach great importance to the craftsmanship. Our love of music and our respect for the musicians that perform it drive us to extremes, not only on a technological level but also in our unrelenting quest for the ultimate music recording.
Serendipitous BVBA
Kanunnik De Deckerstraat 22
2800 Mechelen
Belgium
Route & parking
Tel: +32 (0)15/63.79.30
E-mail: info@serendipitous.eu